Dark Sentinel
Titles by Christine Feehan
COVERT GAME
POWER GAME
SPIDER GAME
VIPER GAME
SAMURAI GAME
RUTHLESS GAME
STREET GAME
MURDER GAME
PREDATORY GAME
DEADLY GAME
CONSPIRACY GAME
NIGHT GAME
MIND GAME
SHADOW GAME
HIDDEN CURRENTS
TURBULENT SEA
SAFE HARBOR
DANGEROUS TIDES
OCEANS OF FIRE
LEOPARD’S BLOOD
LEOPARD’S FURY
WILD CAT
CAT’S LAIR
LEOPARD’S PREY
SAVAGE NATURE
WILD FIRE
BURNING WILD
WILD RAIN
BOUND TOGETHER
FIRE BOUND
EARTH BOUND
AIR BOUND
SPIRIT BOUND
WATER BOUND
SHADOW KEEPER
SHADOW REAPER
SHADOW RIDER
JUDGMENT ROAD
DARK SENTINEL
DARK LEGACY
DARK CAROUSEL
DARK PROMISES
DARK GHOST
DARK BLOOD
DARK WOLF
DARK LYCAN
DARK STORM
DARK PREDATOR
DARK PERIL
DARK SLAYER
DARK CURSE
DARK HUNGER
DARK POSSESSION
DARK CELEBRATION
DARK DEMON
DARK SECRET
DARK DESTINY
DARK MELODY
DARK SYMPHONY
DARK GUARDIAN
DARK LEGEND
DARK FIRE
DARK CHALLENGE
DARK MAGIC
DARK GOLD
DARK DESIRE
DARK PRINCE
Anthologies
EDGE OF DARKNESS
(with Maggie Shayne and Lori Herter)
DARKEST AT DAWN
(includes Dark Hunger and Dark Secret)
SEA STORM
(includes Magic in the Wind and Oceans of Fire)
FEVER
(includes The Awakening and Wild Rain)
FANTASY
(with Emma Holly, Sabrina Jeffries, and Elda Minger)
LOVER BEWARE
(with Fiona Brand, Katherine Sutcliffe, and Eileen Wilks)
HOT BLOODED
(with Maggie Shayne, Emma Holly, and Angela Knight)
Specials
DARK CRIME
THE AWAKENING
DARK HUNGER
MAGIC IN THE WIND
BERKLEY
An imprint of Penguin Random House LLC
375 Hudson Street, New York, New York 10014
Copyright © 2018 by Christine Feehan
Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader.
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Library of Congress Cataloging-in-Publication Data
Names: Feehan, Christine, author.
Title: Dark sentinel / Christine Feehan.
Description: First edition. | New York : Berkley, 2018. | Series: A
Carpathian novel ; 32
Identifiers: LCCN 2018014300| ISBN 9780451490087 (hardcover) | ISBN 9780451490094 (ebook)
Subjects: LCSH: Vampires—Fiction. | Paranormal romance stories. | BISAC: FICTION / Fantasy / Paranormal. | GSAFD: Fantasy fiction. | Occult fiction.
Classification: LCC PS3606.E36 D3893 2018 | DDC 813/.6—dc23
LC record available at https://lccn.loc.gov/2018014300
First Edition: September 2018
Cover photos: Man © Volodymyr Tverdokhlib/Shutterstock; San Diego skyline © Lee Sie Photography/GettyImages
Cover design by Judith Lagerman
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Version_1
To Martha Nylander, my girls’ night out partner in crime. Have many fun memories of us with the others, hope to make many more!
CONTENTS
Titles by Christine Feehan
Title Page
Copyright
Dedication
For My Readers
Acknowledgments
Family Trees
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Appendix 1: Carpathian Healing Chants
Appendix 2: The Carpathian Language
About the Author
FOR MY READERS
Be sure to go to http://www.christinefeehan.com/members/ to sign up for my PRIVATE book announcement list and download the FREE ebook of Dark Desserts. Join my community and get firsthand news, enter the book discussions, ask your questions and chat with me. Please feel free to email me at Christine@christinefeehan.com. I would love to hear from you.
ACKNOWLEDGMENTS
As always there are many people to thank. Chris Tong is amazing and always answers the call for research if I’m stuck on something. Thank you, Chris, for your timely aid over and over, with the language especially. Anita Toste, my sister, who is a little bit Carpathian, for her spells, and for always answering questions even when she doesn’t know she’s doing it. Sheila English for stepping in when my son couldn’t be here for the power hours. Brian, for keeping me on track with those power hours. And of course, Domini Walker: thank you for the tremendous work you do on every manuscript to make it the best it can be before my editor sees it. Also, Denise, what would I do without you? You make certain everything gets where it is supposed to be on time, and you bring me those blended lattes so I can work!
1
Contemplating allowing himself to die made Andor Katona feel like a coward. He had never believed that sitting out in the open waiting to meet the dawn and have the sun fry him was an act of nobility. He—and a very few others—had always believed it to be an act of cowardice. Yet here he was, deliberating whether or not to give himself permission to die. The sun wasn’t close, but the wounds he’d sustained battlin
g so many vampires at one time had weakened him.
With the loss of blood, and several near-fatal wounds, the human vampire hunters hadn’t recognized him as a hunter and had attacked while he’d left his body an empty shell so he could try to heal those wounds. A stake close to the heart—they’d missed—hadn’t felt so good. They really weren’t very good at their self-appointed task. They’d torn open his chest, and more blood had spilled onto the battleground. He’d never thought he’d die in a country far from home—killed by a trio of bumbling humans—but dying seemed a good alternative to continuing a life of battle in an endless gray void.
The three men, Carter, Barnaby and Shorty, huddled together a distance from him, casting him terrified and hate-filled glances. They were trying to convince themselves they’d done it right and he was dying. Of course, they’d expected him to die immediately and now wondered why he hadn’t and what they should do about it. He could have told them they’d need another stake and a much better impaling technique if they wanted him to die. Did he really have to instruct others on how to kill him? That was ridiculous.
Sighing, he tried weighing the pros and cons of dying in order to make a rational decision. He’d lived too long. Far too long. He’d killed too often—so much so that there was little left of his soul. He’d lived with honor, but there had to be a time when one could let go with honor. It was past his time. He’d known that for well over a century. He’d searched the world over for his lifemate, the woman holding the other half of his soul, the light to his darkness. She didn’t exist. It was that simple. She didn’t exist.
Carpathian males lost all emotion and the ability to see in color after two hundred years. Some lost it earlier. They had to exist on memories, and after so many centuries, even those faded. They retained their battle skills—honed them nightly—but as time passed, all those long, endless years, even the memories of family and friends faded away. He lived his life far from humans most of the time, working in the night to keep them safe.
Vampires were Carpathians who had given up their honor in order to feel again. There was a rush when one killed while feeding. Adrenaline-laced blood could produce a high. Vampires craved it, and they terrorized their victims before killing them. Andor had hunted them on nearly every continent. As time passed, the centuries coming and going, the whispers of temptation to turn increased. For a few hundred years, those whispers sustained him, even if he knew the promise was empty. Eventually, even that was lost to him. Then he lived in a gray world of . . . nothing.
He had entered the monastery high in the remote Carpathian Mountains, a place where a very few ancients had locked themselves away from the world when they’d been deemed too dangerous to hunt and kill but didn’t believe in giving themselves to the dawn. Every kill increased the danger of turning, and he had lived too long, knew too much to be vampire. Few hunters would ever be able to defeat him, yet here he was, nearly done in by a trio of inept, bumbling human assassins.
He had taken the vow to be honorable in waiting for his lifemate with the other ancients. Of course, the situation had been made worse by secreting themselves in a place where there was no hope of each finding the one woman who could restore emotions and color to their lives—but they had known that. They had accepted the truth: their women were no longer in the same world with them.
The whispers of his would-be killers grew annoying. Really annoying. His head was swimming, making it difficult to think. He lay looking up at the sky. Stars were out, but they appeared as blurred lights, nothing more. Their light was a dull gray, just as the moon was. He looked down at the blood seeping out of his body, pooling around him from more than a dozen wounds—and that didn’t count the stake. The blood was a darker gray. An ugly mess. How had he gotten here, so far from his homeland and the monastery where he’d placed himself so he wouldn’t give in to the nothingness that surrounded him?
Hope had come to the monks, so they’d scattered, looking once again for the women who might save their souls. When they’d realized the world was too changed and too vast and once more they didn’t fit and there was little hope, they’d answered the call of their fellow monk and followed him to the United States. The vampires had grown powerful, and Carpathians were behind in the ways of the new world. It had been an effort to catch up when before he had always found it easy to learn newer, more modern things. That had led him to this moment—considering that he’d outlived his time.
Everything was different. He was forced to live in close proximity to humans and to hide who and what he was. Women were different. They no longer were satisfied having a man care for them. He had no idea what to do with a modern woman. Contemplating his demise seemed so much wiser than trying to understand the reasoning of a present-day woman.
It was difficult to think, although the night was beautiful. The humans kept talking, whispering together, sending anxious looks his way. He wanted them to be quiet and considered silencing them so he could continue to contemplate, but it was finally dawning on them that maybe they should have studied anatomy a little better before deciding on their profession.
Carter ended up drawing the short straw. The others sent him over to figure out what had gone wrong. He was shaking, trembling from head to foot as he approached, clearly terrified of the man they had tried to murder. Sweat poured off the assassin, and he wiped it away with the back of his hand as he drew near.
He loomed over Andor, the stink of fanaticism reeking from his pores, his features twisted into a mask of hatred and determination. Andor wasn’t quite ready to make up his mind about death. He lifted his hand to push enough air at the man to send him flying backward when a woman rushed out of the darkness and attacked.
The moon was full, scattering beams of light over the battleground. There was no evidence of the vampires he’d killed because he’d disposed of them properly. He wasn’t getting a minute of peace any time soon, not even with a stake sticking out of him and his blood everywhere, not with his supposed savior in the form of a little whirlwind of fury attacking his three would-be assassins. He was going to have to rescue her. That meant living longer. He didn’t like having his mind made up for him.
She moved with incredible speed, an avenging angel, her long hair flying, her hiking boots crunching rock, dirt and the lightning-scorched grass beneath her feet. She bashed Carter with what appeared to be a saucepot, whirling like a tornado and striking him again. She went under his punch, blocking it upward with one arm: it sounded as if it must have felt like a blow as she clobbered him right in the face with the pot. Carter staggered backward and then hit the ground.
Andor closed his eyes briefly, thinking perhaps he was seeing an illusion. What woman would attack three men with a saucepot when they’d just staked someone? He sighed again and thought about how much blood he was going to lose when he sat up and yanked out the stake. It would leave a good-sized hole in his chest. On the other hand, he could leave it in . . .
“Don’t you move,” she hissed, not looking at him, but one slender hand came back behind her, palm toward him in the universal signal to stop.
He went still. Utterly still. Frozen. His lungs felt raw, burning for air. It wasn’t possible. It couldn’t be. More than a thousand years. An endless void. His eyes hurt so badly he had to close them, a dangerous thing to do when she was certain to be attacked.
The other two men hadn’t the courage of Carter and had backed away a distance from him, just in case when Carter did whatever he was considering to remedy the situation—in other words, trying to kill Andor again—they thought themselves safe. Both men might not want anything to do with the big man on the ground, but a woman armed with a saucepot was an entirely different matter. They had separated and circled around, edging up on either side of her while she had been busy smacking Carter with the pot.
“What is wrong with you people?” She was furious, emphasizing each word with a bang of the pot on Carter. “Are yo
u crazy? That’s a human being you’re murdering.”
Andor had been lying in a puddle of his own blood, contemplating death, surrounded by a gray world. Everything had been gray, or shades of it. The ground. The blood. The trees. The moon overhead. Even his three would-be assassins. He had felt no real emotion, detached and completely removed from what had been happening to him. The world changed in the blink of an eye. His burning eyes, his lungs that refused to obey his commands. Everything so raw he could barely comprehend what was happening.
Color burst behind his eyes. Vivid. Brilliant. Terrible. In spite of the night, he could see the green in the trees and the shrubs, varying shades. His blood appeared red, a bright shade of crimson. He made out colors on the three men, blues and true blacks. The moon caught the woman right in its spotlight, the beams illuminating her.
Andor’s breath caught in his throat. Her hair was the color of chestnuts, dark brown with reddish and golden undertones making the thick mass gleam in the moonbeams. Her eyes were large and very green, and she had a mouth that he could fixate on when he’d never obsessed or fixated on anything in his very long existence.
The vivid colors were disorienting when he already was in a weakened state. His stomach knotted. Churned. He felt as if he had vertigo. He needed to sit up. To protect her. The colors flashed through his mind, swirling into a nightmare of soundless chaos. At the same time, emotions poured in, feelings he couldn’t sort through fast enough to make sense of or process.
Carter was on the ground cowering as Shorty reached for the woman. She whirled around and bonked him over the head. “Do you have any idea how hard it is for me to meditate when you’re murdering someone?” She glared at Andor over her shoulder. “And you. Lying there, deciding whether or not you’ve had enough of life? What is wrong with you? Life is to be cherished. Not thrown away.”
Shorty tried another misguided attempt to punch her. She hit his hand with the pot so hard even Andor winced at the sound. Shorty howled and stepped back, regarding her warily.